Scandalized by Dante.

Objections to the Eternity of Hell and the Theology of The Divine Comedy

Abstract

This paper refers to the 700th anniversary of the death of Dante Alighieri in commemoration of which Pope Francis released a special apostolic letter highlighting the genius and significance of the Italian poet. We should praise his genius, the Pope writes, because it is he who was able to express, much better than most of the others, the depth of the mystery of God and His love. The Commedia is the fruit of deep religious inspiration. This is why Francis repeats after Benedict XV – „Dante is our own!” Why is it so? Because there breathes in Alighieri the devotion that we too feel and his faith resonates with ours. Dante’s work continues to be a meaningful and valid exemplar for Christ’s followers. However, in today’s pop culture Dante is mainly seen through his depiction of hell – the artistically described eternal punishment. The truth about hell which Dante made the subject of his narrative does not find acceptance even between Christians. Many people are really outraged and scandalized because hell is for them the symbol of sadism and distorted image of God – a vengeful tyrant who condemns human souls to eternal perdition. But hell is present in the biblical message. The early Church Fathers spoke of hell in their sermons, wrote about it in treatises, disputed the dwelling place of the condemned souls, the position of Satan and other demons, and the imminence of God’s judgement. In this way in the Catholic dogmatic theology consolidated the truth of the reality of hell and eternal punishment. This was also in accord with the views of the prominent medieval theologians. Therefore, why the ancient and well-known truth about hell is rejected today as outrageous and Dante’s vision does not gain recognition? The heart of the matter is the understanding of the idea of justice and atonement. In their denial expressed through the notion of the empty hell and rejection of eternal punishment for angels’ and people’s sins, we have to do with misunderstanding of the significance of human intellect and will. The refusal to accept responsibility for our free choices entails the uninhibited rejection of seriousness of our earthly life. If we believe that our fate, and what is more, out eternal fate – the salvation or damnation – depends on what we were able to do in our lifetime, Dante’s poetic vision strongly illustrates this standpoint. The power of free will is deeply and inalienably present in The Comedy’s stanzas. In the Dante’s poem the essence of hell lies in the ultimate rejection of the goal that man longs to achieve from his very nature – the happiness which is the union with the infinite Good – God, the Creator and the Redeemer of the world. How is it possible? It happens due to the existence of free will which is innate to all people and no one can deprive them of it or minimise it. This rejection of the sublime happiness is the result of human free decision – the condemned did not say to God: “Thy will be done!” but “my will be done!”. The existence of hell becomes the guarantee of human dignity, the evidence that a perfectly Good and Omnipotent God treats the man whom He had created seriously and preserves him for the eternity in the same state in which he wanted to remain in his earthly life.