Sound as an Integral Component of Sacred Architecture
Abstract
Apart from the visual factor, the acoustic factor is the main element that gives character to a temple as a sacred space and influences the spiritual dimension of sacred spaces. The aim of this article is to examine the relationships between acoustics and sacred architecture, as well as the role of sound in shaping the perception of liturgical interiors. The analysis includes scientific and historical literature on the acoustics of sacred buildings, examples of the application of Helmholtz resonators, and cymatic interpretations of architectural details, such as rosettes and motifs from Rosslyn Chapel. The study is based on observation of sacred spaces, analysis of documentation and literature, as well as the interpretation of cymatic and psychoacoustic phenomena. The paper demonstrates that material elements (architectural form, ornamentation) interact with immaterial elements (sound perception, atmosphere, multisensory experience), shaping the identity and functionality of sacred interiors. Sound affects both matter and space, and conscious acoustic design determines speech intelligibility, musical quality, and the spiritual reception of the space. The conclusions emphasize the necessity of integrating acoustic design with architecture and using architectural details as tools for sound modulation.
Copyright (c) 2025 Ignatianum University in Cracow
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
The Yearbook only accepts materials for publication that are free of all conflicts of interest, and that in no way involve conflicts over authorship, copyright, etc. The Editors will take action against any cases of plagiarizing, ghostwriting1, guest/honorary authorship2, etc. Where co-authored work is concerned, the Author listed first is expected to take responsibility for the submission, and is required to make clear the contributions of all of the Co-Authors involved. In the event of the publication owing its existence to funding dedicated to this purpose, this fact should be made clear: e.g. in any note of thanks/acknowledgement, or in a footnote, etc. Explicit notification should be given of any form of reprinting, with the appropriate evidence of permission to publish being furnished as required. Any impropriety on the part of Authors/Reviewers risks exposing them to appropriate responses from the relevant institutions.
______
1 This term refers to instances of a person who has made an essential contribution being omitted from the list of authors, or from notes conveying gratitude and/or acknowledgement.
2 This occurs when a person who has made either an insignificant contribution or no contribution at all nevertheless appears on the list of authors.
