Contemporary Reimaginings of Heart of Darkness
Abstract
In contemporary visual culture, we may observe various transformations of Conrad’s Heart of Darkness. Artists adapt the classic tale to various media. The novella appears in a theatrical form on the Bulgarian and British stages (a performance by Museum Theatre directed by Valeriya Valcheva in Sofia and the production by the imitating the dog theatre company in London). In film, there is a sand-on-glass animation directed by Gerald Conn and the animeinfluenced Brazilian/French animated feature Heart of Darkness by Rogério Nunes. Additionally, there are video games (Spec Ops, Far Cry 2) based on its plot as well as numerous comics and graphic novels depicting the story, starting with the famous version by C. Anyango and D. Mairowitz through T. Tirabosco and Ch. Perrissin’s (Adamowicz-Pośpiech, 2024) and P. Kuper’s adaptations. On top of that, we have latest Instagram videos by Sascha Ciezata. In this paper, I argue that contemporary interpretations of Heart of Darkness to resonate with present-day audiences must inevitably modernize the novella formally and/or ideologically. I will substantiate this claim through an examination of two instances of the novella’s adaptation in distinct media: specifically, on Instagram and within the theatrical realm.
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Autor, zgłaszając swój artykuł, wyraża zgodę na korzystanie przez Wydawnictwo Uniwersystet Ignatianum z utworu na następujących polach eksploatacji:
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- zwielokrotnienia utworu dowolną techniką, bez ograniczenia ilości wydań i liczby egzemplarzy;
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- publicznego wykonania, wystawienia, wyświetlenia, odtworzenia oraz nadawania i reemitowania, a także publicznego udostępniania utworu w taki sposób, aby każdy mógł mieć do niego dostęp w miejscu i czasie przez siebie wybranym.
Wydawca zobowiązuje się szanować osobiste prawa autorskie do utworu.