News Platformisation in a Distorted Media Market
The Case of Hungary
Abstract
This study examines how independent Hungarian online news media navigate the dual pressures of platformisation and a politically and economically distorted media market. While digital platforms have globally reshaped news production, distribution, and monetisation, in Hungary these dynamics are intensified by strong state influence over media ownership and the allocation of advertising revenues, which systematically disadvantages independent outlets. Drawing on a mixed-methods approach, the study combines an analysis of publicly available financial data from four leading Hungarian news portals with semi-structured interviews conducted with journalists, editors, and media managers. The findings reveal that independent outlets operate under markedly heterogeneous business models, ranging from advertising-based approaches to hybrid strategies that integrate subscriptions, reader donations, grants, events, and merchandising. The results suggest that declining access to advertising revenues—due to both politically selective state allocation and the growing dominance of global digital platforms—has driven the diversification of revenue models. At the same time, platform dependency remains a central structural constraint, prompting a shift from reach-oriented to engagement- and brand-focused strategies, alongside increased investment in proprietary distribution channels. The Hungarian case demonstrates that platformisation is deeply shaped by national political and market conditions, giving rise not only to an alternative distribution ecosystem but also to diverse and adaptive business models aimed at sustaining economic viability and editorial independence.
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Autor, zgłaszając swój artykuł, wyraża zgodę na korzystanie przez Wydawnictwo Uniwersystet Ignatianum z utworu na następujących polach eksploatacji:
- utrwalania utworu w formie papierowej, a także na nośniku cyfrowym lub magnetycznym;
- zwielokrotnienia utworu dowolną techniką, bez ograniczenia ilości wydań i liczby egzemplarzy;
- rozpowszechniania utworu i jego zwielokrotnionych egzemplarzy na jakimkolwiek nośniku, w tym wprowadzenia do obrotu, sprzedaży, użyczenia, najmu;
- wprowadzenia utworu do pamięci komputera;
- rozpowszechniania utworu w sieciach informatycznych, w tym w sieci Internet;
- publicznego wykonania, wystawienia, wyświetlenia, odtworzenia oraz nadawania i reemitowania, a także publicznego udostępniania utworu w taki sposób, aby każdy mógł mieć do niego dostęp w miejscu i czasie przez siebie wybranym.
Wydawca zobowiązuje się szanować osobiste prawa autorskie do utworu.
