The Early Reading and Music partnership
Abstract
There is broad agreement, in relation to the high gravitas of ‘the big six’ in teaching early reading, the pillars of effective reading instruction (Moats, 1999; NRP, 2000; Konza, 2014). Notwithstanding, there exists a body of evidence that indicates the arts, in particular music, enhance and motivate other learning, helping young children to become readers. This suggests the explicit teaching of early reading and music together can yield powerful learning for students, the conflation of which improves and accelerates both reading and music mastery. This research investigates whether participation in music instruction has beneficial effects on young children’s learning and acquisition of early reading skills; specifically, if a link exists between early reading and music acquisition. There are three parts to this research: a) literature review; b) email surveys/ semi structured interviews; c) classroom observations.
Results suggest that music serves as a natural bridge to literacy, strengthening auditory processing, and scaffolding learning phonemes and graphemes. Music aids memory because the beat, melody and harmony carry semantic content, clarifying meaning. Children learn with less effort and remember information more easily when rhyme and rhythm are present. Nursery rhymes, poems and action songs engage children through playing with language, suggesting that a transdisciplinary pedagogical approach is a potential solution to challenges currently faced in education in relation to disengagement from traditional schooling and declining reading levels. An early reading and music partnership is an approach to learning that may benefit young learners along the road to becoming readers.
References
Australian Curriculum, Assessment and Reporting Authority (ACARA). (n.d.). My School. https://www.myschool.edu.au
NSW Government. (2023, May 23). What is the difference between English and literacy? [Video]. English K-12. https://bit.ly/3SRP3BX
Department of Education. (n.d.). Closing the gap in early childhood. Department of Education, Australian Government. https://www.education.gov.au/closing-the-gap/closing-gap-early-childhood
Australian Government. Department of Education, Science and Training. (2005). Teaching reading: Report and recommendations. https://research.acer.edu.au/cgi/viewcontent.cgi?article=1004&context=tll_misc
Baby Shark Vid. (n.d.). YouTube. https://www.youtube.com/shorts/EyFqd_3-vU4
Bancroft, B. (2020). Coming home to country. Little Hare Books.
Beveridge, L. (2014). Collaborative professional learning: Investigating impact and sustainability [Unpublished doctoral dissertation]. University of Newcastle.
Beveridge, L., Fraser, H., Dong, C., Cox, R. & Saleh, A. (2021). Setting EAL/D students up for success at school: A diamond view. Scan, 40(7), 20–35. https://primaryenglish.education/wp-content/uploads/2021/09/Scan_407_August2021_AEM_Research.pdf
Beveridge, L. (2023). The early reading and music partnership. Primary English Teaching Association Australia.
Bonacina, S., Krizman, J., White-Schwoch, T., Nicol, T., & Kraus, N. (2019). How rhythmic skills relate and develop in school aged children. Global Paediatric Health, 6, 1–7.
Bridges, D. (1994). Music, young children, and you. Southwood Press.
Butzlaff, R. (2000). Can music be used to teach reading? Journal of Aesthetic Education, 34(3/4), 167–178. https://doi.org/10.2307/3333642
Collins, A. (2020). The music advantage: How learning music helps your child’s brain and wellbeing. Allen & Unwin.
Cox, R., Feez, S., & Beveridge, L. (2019). The alphabetic principal and beyond …surveying the landscape. Primary English Teaching Association Australia.
Curtis, L. (2007). The role of music in early literacy learning: A kindergarten case study. [Unpublished doctoral dissertation]. Kansas State University. https://www.academia.edu/71487184/The_role_of_music_in_early_literacy_learning_A_kindergarten_case_study
D’Agrosa, E. (2008). Making music, reaching readers. General Music Today, 21(2), 6–10.
Darrow, A., Cassidy, J., Flowers, P., Register, D., Sims, W., Standley, J., Menard, E., & Swedberg, O. (2009). Enhancing literacy in the second grade: Five related studies using the register music/reading curriculum. Applications of Research in Music Education, 27(2), 12–26. https://doi.org/10.1177/8755123308330044
Da Silva, K., Luvizutto, G., Bruno, A., de Oliveira, S., Costa, S., da Silva, G., Andrade, A., Pereira, J. M., Andrade, A. O., & de Souza, L. (2022). Gamma-based frequency analysis and motor development in music-trained children: A cross sectional study. Journal of Motor Behaviour, 54(2), 203–211.
Debreceny, A. (2021). Synthesising school curriculum and song: A practice-led model for creating educational songs for children. [Unpublished doctoral dissertation]. University of the Sunshine Coast.
Del Rey, C. (2017). Curriculum analysis of three elementary reading curricula: implications for music therapy integration. [Unpublished master’s thesis]. Florida State University.
Dwyer, B. (1989). A sea of talk. Primary English Teachers Australia.
Dwyer, R., & Collins, A. (2022, February 27). Music can help lift our kids out of the literacy rut, but schools in some states are still missing out. The Conversation. https://theconversation.com/music-can-help-lift-our-kids-out-of-the-literacy-rut-but-schools-in-some-states-are-still-missing-out-173908
Fisher, D. (2001). Early language learning with and without music. Reading Horizons, 42(1), 38–49.
Frawley, E., & McLean-Davis, L. (2005). Assessing the field: Students and teachers of writing in high stakes literacy teaching in Australia. English Teaching: Practice and Critique, 14(2), 83–99.
Frischen, U., Schwarzer, G., & Degé, F. (2019). Comparing the effects of rhythm-based music training and pitch-based music training on executive functions in preschoolers. Frontiers in Integrative Neuroscience, 13, 41. https://doi.org/10.3389/fnint.2019.00041
Godde, E., Bosse, M., & Bailly, G. (2020). A review of reading prosody acquisition and development. Reading and Writing, 33, 399–426.
Gore, J., Miller, A., Fray, L., Harris, J., & Prieto, E. (2021). Improving student achievement through professional development: Results from a randomised controlled trial of Quality Teaching Rounds. Teaching and Teacher Education, 101(103297). https://doi.org/10.1016/j.tate.2021.103297
Gould Lundy, K. (2015). Conquering the crowded curriculum. Pembroke Publishers.
Hansen, D., Bernstorf, E., & Stuber, G. (2014). The music and literacy connection (2nd ed.). Rowman & Littlefield/National Association for Music Education.
Hill-Clarke, K. Y., & Robinson, N. R. (2004). It’s easy as A-B-C and do-re-mi: Music, rhythm, and rhyme enhance children's literacy skills. Young Children, 59(5), 91–95.
Holmberg, S. (2010). Music teachers’ perceptions: the role of music education in early literacy. [Unpublished doctoral dissertation]. Kansas State University.
Hunter, J., Stobart, A., & Haywood, A. (2024). The reading guarantee: How to give every child the best chance of success. Grattan Institute. https://grattan.edu.au/wp-content/uploads/2024/02/The-Reading-Guarantee-Grattan-Institute-Report.pdf
Iwasaku, B., Rasinski, T., Yildirim, K., & Zimmerman, B. (2013). Let’s bring back the magic of song for teaching reading. The Reading Teacher, 67(2), 137–141.
Jones, A. (2010). Music and the cognitive process-student perceptions. Polyglossia, 19, 143–150.
Keating, S. (2020, May 19). The world’s most accessible stress reliever. BBC Future. https://www.bbc.com/future/article/20200518-why-singing-can-make-you-feel-better-in-lockdown
Kolb, G. (1996). Read with a beat: Developing literacy through music and song. The Reading Teacher, 50(1), 76–79.
Konza, D. (2014). Why the fab five should be the big six. Australian Journal of Teacher Education, 39(12), 153–169.
Kraus, N., & Chandrasekaran, B. (2010). Music training for the development of auditory skills. Nature Reviews Neuroscience, 11, 599–605.
Levitin, D. (2006). This is your brain on music: Understanding a human obsession. Penguin.
Luke, A. (2010). Will the Australian curriculum up the intellectual ante in primary classrooms? Curriculum Perspectives, 30(3), 59–65.
McGaw, B., Louden, W., & Wyatt-Smith, C. (2020). NAPLAN review final report. State of New South Wales (Department of Education), State of Queensland (Department of Education), State of Victoria (Department of Education and Training), and Australian Capital Territory. https://naplanreview.com.au/pdfs/2020_NAPLAN_review_final_report.pdf
Moats, L. C. (1999). Teaching reading is rocket science: What expert teachers of reading should know and be able to do. American Federation of Teachers.
National Reading Panel (NRP). (2000). Teaching children to read: An evidence-based assessment of the scientific research literature on reading and its implications for reading instruction. https://www.nichd.nih.gov/sites/default/files/publications/pubs/nrp/Documents/report.pdf
Oczkus, L. (2009). Interactive think aloud lessons: 25 surefire ways to engage students and improve comprehension. Scholastic Teaching Resources.
Pascoe, R., Leong, S., MacCallum, J., Mackinlay, E., Marsh, K., Smith, B., Church, T. & Winterton, A. (2005). National review of school music education. Australian Government of Education, Science and Training. https://researchrepository.murdoch.edu.au/id/eprint/9459/1/music_review_reportFINAL.pdf
Richards, L., & Morse, J. M. (2013). Readme first for a user’s guide to qualitative methods (3rd ed.). Sage.
Rich, P., Leatham, K. & Wright, G. (2013). Convergent cognition. Instructional Science, 41(2), 431–453.
Rose, J. (2006). Independent review of the teaching of early reading. DfES Publications. https://dera.ioe.ac.uk/id/eprint/5551/2/report.pdf
Rosen, M. & Oxenbury, H. (1984). We’re going on a bear hunt. Walker Books.
Saefudin, D. (2019). The use of music background in teaching reading comprehension for negative and positive students’ perception. English Educational Journal, 9(4), 501–508.
Schulkin, J. & Raglan, G.B. (2014). The evolution of music and human social capability. Frontiers in Neuroscience, 8. https://doi.org/10.3389/fnins.2014.00292
Tashakkori, A., & Teddlie, C. (2003). Handbook of mixed methods in social and behavioural research. Sage Publications.
Thompson, G. (2013). NAPLAN, MySchool and accountability: Teacher perceptions of the effects of testing. International Education Journal: Comparative Perspectives, 12(2), 62–68.
Wennerstrom, A. (2001). The music of everyday speech: Prosody and discourse analysis. Oxford University Press.
Wexler, N. (2020). The knowledge gap: The hidden cause of America’s broken education system – and how to fix it. Penguin.
Copyright (c) 2024 Elementary Education in Theory and Practice
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
- When submitting a text, the author declares that he/she is the Author of the article (hereinafter referred to as the “Work”) and:
- he/she owns the exclusive and unlimited copyright to the Work,
- is entitled to dispose of the copyright to the Work.
Declares that it does not infringe any third party copyrights or legal rights.
Declares that there is no conflict of interest.
2. At the same time, the Author grants the Ignatianum University in Cracowa royalty-free, non-exclusive and territorially unlimited licence to use the Work in the following fields of exploitation:
- recording the Work in a hard copy, as well as on a digital or magnetic medium;
- reproduction of the Work using any technique, without limitation of the number of editions or copies;
- distribution of the Work and its copies on any medium, including marketing, sale, lending, and rental;
- introduction of the Work into a computer memory;
- disseminating the Work in information networks, including in the Internet;
- public performance, exhibition, display, reproduction, broadcasting and re-broadcasting, as well as making the Work available to the public in such a way that everyone can have access to it at a time and place of their own choosing;
- within the scope of dependent rights to the Work, including in particular the right to make necessary changes to the Work resulting from editorial and methodical development, as well as to translate the Work into foreign languages;
The licence is granted from the moment of the transfer of the Work to the Ignatianum University in Cracow. The Ignatianum University in Cracow is entitled to grant further sub-licences to the Work within the scope of the right granted. The licence is time-limited and it is granted for a period of 15 years, starting from the date of its granting.
Authors are permitted and encouraged to publish their text online (e.g. in their institution’s repository or on the institution’s website) before or during the submission process as this may lead to beneficial exchanges, as well as earlier and greater citation of the published text (See The Effect of Open Access). We recommend using any of the following portals of research associations:
- ResearchGate
- SSRN
- Academia.edu
- Selected Works
- Academic Search